A Viking on the Subway
a Midwestern Gothic Novel
With stories including ones about runaway coffins, a midnight knocker, church healing services, and adulterous relationships, Horseshoe is a float down the river past themes exploring sin, guilt, faith, doubt, and redemption.
Love on the Big Screen
a coming of age novel in the spirit of Say Anything and High Fidelity
- Everything Zuke knows he gets from the movies, most of them late-eighties romantic comedies.
- You can read the first chapter of Love on the Big Screen as a (downloadable pdf).
- Listen to a sample from the audio book.
- Read a sample and purchase from Amazon.
Short Story “Twilight” in
- $5 “Twilight,” is a short story inspired by the twilight rate at a golf course I worked at in Queens. It appears in a sports anthology entitled Suicidally Beautiful.
For the Love of Books
a documentary film about Kathy Patrick and the Pulpwood Queens
If you’ve got questions, comments, or just want to say hello, I encourage you to write me at <William.Torgerson@gmail.com>.
Ever since a former professor of mine introduced me to the idea that writing floats on a sea of conversation, I’ve thrived on the energy that is derived from interacting with others who care about stories and the teaching of writing. I’m a writer and filmmaker who teaches in the Institute For Writing Studies at St. John’s University in New York. I’d really appreciate it if you wrote me a note to say hello. Thank you so much for stopping by the website!
Yours in Books,
Which novel title would you be more likely to be interested in?
In order to spark conversation, I thought I’d take a quick run through my process of making the documentary film, For the Love of Books. I invite questions, requests for more of an explanation, and most of all suggestions for improvement.
- As a longtime fan of documentary films and a writer of scripts, the catalyst that sparked me into action to try and make my own film came as I attended the Rhode Island International Film Festival.
- While watching a block of shorts, I saw a film called Two’s a Crowd. It was about a Manhattan Jewish couple who had maintained separate apartments during their marriage but because of economic circumstances, they’d decided to finally move in together. I remember a line: “I can get married or move in together, but I can’t do both.”
- Two brothers made the film. I thought it was funny and interesting about relationships. I turned to my sister and said, “We can do this.”
- A plan was hatched to do a short film about my father and his morel mushroom hunting buddies. (now in progress)
- I have a MacBook from St. John’s University I use for work. My wife has one too. I decided I would be an Apple guy and that I would look for a camera that worked well with Apple and the company’s software program, Final Cut Pro X.
- I purchased an iMac with the largest screen possible. I purchased their video editing software Final Cut Pro X.
- I might use the wrong computer jargon here, but I’ll do my best and correct me if you find mistakes. You’re going to need a lot of RAM. I think of this as working memory. The iMac often comes with 4 GB of RAM. I have since upgraded to 16 GB. It was very easy to do this myself. Just involved a few screws. Apple charges a lot for their RAM. Buy it and install it yourself.
- You are going to need an external hard drive. Final Cut Pro X will work much better if your video is stored on an external hard drive so the desktop processor is free to run the video editing software.
- Sometime after I bought my computer and before I bought the camera, I started to think about the crazy costumes of the Pulpwood Queens. I thought they’d look great on camera. I emailed Kathy Patrick and asked her if I could bring my camera down to Jefferson, Texas and film some of the events.
my camera: the JVC GY-HM150U
- A couple days before my trip to Jefferson, I purchased the JVC GY-HM150U from B & H photo. I purchased memory cards, a bag to carry the camera in, and an extra battery.
- I read Anthony Q. Artis’s book, Shut Up and Shoot. It gave me a lot to consider before I began shooting.
- I thought a film needed a through story, something a viewer could watch from beginning to end. The only story I could think of (maybe the only story I had access to) was my own story of being nervous and travelling to Jefferson for the Pulpwood Queens’ party.
- I decided to shoot at 24P. I kind of wish I would have just shot in HD. I may not have even described this right.
- I did what I could to shoot footage of the journey. This included still photos and video of airports, my rental car, the state line, sites along the way, and the “Jefferson” sign as I entered town. Except for when my battery ran out, I videoed everything that happened at Girlfriend Weekend.
- What story are you telling? How can you “show” it? I tried to feel out a story as the weekend passed. I knew I had to have an ending. I was on the lookout for it.
- It wasn’t long until I wished I’d bought a tripod.
- Other mistakes? forgot to white balance the camera, didn’t know my camera had a “stabilization” button, ran out of battery in the middle of great footage, and I once had the mic facing the wrong direction.
- As you fill up your memory cards, where will you put the video? I had a MacBook and an external drive that I put footage onto at night. The files are enormous.
- Kathy Patrick introduced me to the crowd as a documentary filmmaker. I had a camera. As far as anyone knew, I was a documentary filmmaker. I tried to start acting like one. I focused on trying to capture the experience of the Pulpwood Queens’ Girlfriend Weekend. The more I filmed, the braver I got and the more I was willing to stick my camera into the action. I asked people questions and filmed their answers.
- I wasn’t determined to make a documentary film. I wanted to learn to use my camera and get some experience. My experience with the Pulpwood Queens motivated me to see the film to completion.
- Having been introduced as a documentary filmmaker, (rather than a guy who bought a camera) I was approached by Brooklyn-based photographer Natalie Brasington. She offerred her still photographs to the film. I believe this is one of the key events that allowed the film to be completed.
- I connected via Facebook with my old high school basketball rival and friend Jeremy Vogt. He offerred his music to the project.
- I took Apple workshops on Final Cut Pro X at the Apple store on West 14th Street in Manhattan. It was during these courses that I also learned about Larry Jordan and his book Final Cut Pro X: Making the Transition.
- I essentially wrote an essay about the Pulpwood Queens. I cut it in half and read the first half of it to open the film. I used Natalie’s photographs to illustrate it. I added Jeremy’s music. I did the same for the end.
Hope this gives you an idea of my process
Love to hear questions and suggestions
Thanks for reading!