The Brothers in Pursuit is a short film of 11 minutes based on my novel and feature screenplay, Love on the Big Screen.
the movie trailer
In the film, four college students have formed a group to support one another in their pursuit of God, knowledge, compassion, and the company of a good woman. The friends meet on Sunday nights dressed in matching boxer shorts, wear plastic helmets from a toy store, and report back to each other about their progress regarding the pursuits.
the movie poster
The novel Love on the Big Screen was published by Cherokee McGhee Press. In it, the protagonist Zuke and his buddies form The Brothers in Pursuit. The sequel to Love on the Big Screen is entitled The Coach’s Wife and is forthcoming in 2015.
The script won the Grand Prize of the Rhode Island International Film Festival. Part of the award was taking part in the annual festival in Providence, and it was there that my own interest in making films was sparked. Since then, I’ve directed two documentary films: For the Love of Books and The Mushroom Hunter.
As with many projects such as this one, there were some great surprises. One of the best came from a former student of mine, the talented artist Nicole Marino, who did a painting for the boys to hang in the barn.
Do you see God, knowledge, compassion, and the company of a good woman?
Changing your life, going to grad school, entrepreneurism, and all-time favorite movies are the topics this week. I’ve got a new partner, Ben Atkinson, a former student of mine from over ten years ago. After a stint as a molecular biologist, Ben went back to school for an MBA in Marketing & Entrepreneurship from Indiana University. He also started his own web company, Night Phoenix Enterprises, which hosts this site.
Ben and I discuss the movies briefly and arrived on a list of four for you to vote on. Vote on the movie you’d like to hear us discuss. We’ll let you know the results of the poll just in case you want to watch and weigh in with your thoughts too. The poll is in the right sidebar–>
I recommended a book I’ve just started reading: The Hollywood Economist by Edward Jay Epstein. Here’s an eye-popping statistic: “In 1948, 65 percent of the population went to a movie house in an average week; in 2008, under 6 percent of the population went to see a movie in an average week.” (p. 41). I first learned about this book on Horace Dediu’s podcast ASYMCO.
Ben and I hope you’ll comment/criticize our movie choices and tell us about your own All-Time Top 5 Movies. I feel like revising my choices already.
Working from notes I’m going to use for a panel at the Rhode Island International Film Festival, during this podcast I talk about how I learned to write, how I try to teach writing, and how a person might be able to get something going when it comes to the business of writing, screenplays, and film.
In the podcast, I expand on the following notes.
First, how did I learn to write?
I learned to read like a writer in an MFA program focusing on fiction. Texts can be your best teachers.
I read and write a lot.
I finish stuff and I send it out.
The lessons in the stack. For example, I’ve read a lot of literary journal submissions, lit agency submissions, and stacks of student writing. The stacks show me what’s being done and what I might do that’s interesting with those stacks of ideas. The opening films of the festival are another kind of stack.
How do I try to help students write?
by creating writing territories
through experiencing an audience of each other
by providing examples of many writers have a different process for how they finish their work
Some Favorite scripts:
Diablo Cody’s Juno: her transitions
Tarantino’s InGlorious Basterds: there is the fact that he is writing for himself, but I could see that you can just do it like you want. I can envision something on the screen and just write it so that it makes sense to the reader. Doesn’t matter if it’s unconventional. That, in fact, might be a strength.
What was the result of winning the festival prize?
a bit of credibility at the festival, lots of little bits can add up to something substantial
the lesson of the films I wouldn’t have seen (back to the lessons of the stack)
the impulse to make my own short film which then accidentally became a feature documentary that will screen at the Phenom Film Festival in Louisiana
Good talks with Elfar Adalsteins who did the short film Sailcloth
That I won the film festival and was trying to make a film meant that I met more “like” minded people who may eventually be a part of future projects that we do together.
Last week I met William Joyce and Brandon Oldenburg from Moonbot. Their Lessmore won an Academy Award. Their company is in Shreveport. I first became acquainted with their film because I was in Rhode Island connected to the prize. So my script Love on the Big Screen isn’t a film, but a lot else has happened that’s been fun and intellectually stimulating.
Some Books that helped me write or think about filmmaking:
Lew Hunter’s Screenwriting 434 (practical how to that got me started)
How Not to Make a Short Film: Secrets of a Sundance Programmer by Roberta Munroe
The Hollywood Economist by Edward Epstein
The Shut Up and Shoot Documentary Guide: A Down & Dirty DV Production, by Anthony Artis
Stephen King’s On Writing
Donald Murray’s Write to Learn
Two Podcasts I like:
KCRW, The Business. Filmmakers are common guests and they explain how they get their work done.
“Here’s the Thing” with Alec Baldwin. Guests include Lorne Michaels, Michael Douglass, and Jon Luvitz
The Creative Penn: just got turned on to this one. Some interesting stories from writers and how they’ve marketed their books.
Love on the Big Screen tells the story of a college freshman whose understanding of love has been shaped by late-eighties romantic comedies. The novel is forthcoming from Cherokee McGhee Press in early 2011 and the script adaptation has been selected for the Grand Prize in the Flickers Rhode Island International Film Festival Screenplay Competition. Click the picture below to read more about the festival and the selection of Love on the Big Screen.
Love on the Big Screen adaptation selected for Grand Prize at Flickers Rhode Island International Film Festival